Out of all the Best Picture nominated movies this year, the Coen Brother’s, “A Serious Man”, has left me the most perplexed. The main question I walked away with was, “Why in the world is this movie a best picture candidate?” Honestly, I’ve read all of the reviews touting the Coen Brother as “genius”, however, I still can’t wrap my head around the movie at all… and I LOVE the Coen Brother’s… everything they have ever done! I even like “The Man Who Wasn’t There”… okay, I will admit their remake of “The Ladykillers” is skipable, but everything thing else they’ve done is A+ in my book… but now, there is “A Serious Man”… and is movie evokes very different emotions.
I know there are quite a few people out there who “don’t get” the Coen Brother’s… when friends talk about their films and say, “you know? I just didn’t like it,” I often times advise them to watch it a second time. The Coen Brother’s make films that get better with each and every viewing… however, I wouldn’t wish a second viewing of “A Serious Man” on my worst enemy. Have the Coen Brother’s finally reached that filmmaking plateau where everything they do is considered “genius”, even if it’s not? Possibly.
Why am I so critical? Well, the movie itself doesn’t accomplish ANYTHING. But maybe that’s the genius I am missing. The movie is a about a college professor whose life is crumbling around him, his wife is leaving him, he kids are acting out, his neighbors and students are making strange demands from him, someone is opposing his tenure, and he may or may not have a serious illness… and all of these things happen at the exact same time without warning. The ongoing theme of the movie is, “but, I didn’t do anything.” And he doesn’t… the main character never did anything to set off the destruction of his life. And in turn… maybe the Coen Brother’s opted to accent this theme by making a movie that doesn’t accomplish anything… who knows?
About an hour into the movie Serena and looked at each other thinking, “Something has got to happen… right? There has to be a pay off at the end so everything makes sense.” Regrettably, nothing in this move gets resolved. In fact, the movie essentially pulls an ending out of the “Sopranos” play book. It simply ends in mid-scene leaving the audience saying, “What the f--- was that?”
Although, there was one small redeeming quality about the movie: the introduction of award winning theatre actor Michael Stuhlbarg in the lead role. Even in a film that essentially does nothing but make me long for the time I lost watching it, Michael’s performance was the only thing keeping me from poking my eye out… and for that… I am grateful.